{"id":725,"date":"2011-08-18T15:48:44","date_gmt":"2011-08-18T22:48:44","guid":{"rendered":"http:\/\/mikelberman.com\/blog\/?p=725"},"modified":"2011-08-18T15:48:44","modified_gmt":"2011-08-18T22:48:44","slug":"skin-tight-an-interactive-installation","status":"publish","type":"post","link":"https:\/\/www.mikelberman.com\/work\/2011\/08\/18\/skin-tight-an-interactive-installation\/","title":{"rendered":"Skin Tight an Interactive Installation"},"content":{"rendered":"<p>What happens when you manipulate a traditionally hard surface so that it behaves like fabric? \u00a0Vito Acconci studio\u2019s installation in the Bronx museum, \u201cLOBBY-FOR-THE-TIME-BEING,\u201d is a wrapping, and twisting installation that coerced Corian\u2014a typically hard, flat surface\u2014to behave in ways otherwise expected.\u00a0\u00a0In response to their call for an interactive projection in conjunction with their installation, my partner Angela Chen and I created \u201cSkin Tight,\u201d orchestrating a series of abstract gestural movements to be projected onto the Corian surface to render what was once inflexible as malleable.<\/p>\n<blockquote><p><em>Cut it open &amp; slit it into strips (it can be pulled now &amp; stretched to one-&amp;-a-half times its length): pit it &amp; gouge it, pock-mark it (it\u2019s become malleable now, flexible): roll it &amp; curve it, fold it, braid &amp; knot it (it functions now as its own structure). Let\u2019s take slick sleek Corian &amp; turn it into lace: let\u2019s take the surface of lace &amp; mold it into structure\u2026-Vito Acconci<\/em><\/p><\/blockquote>\n<p>The creation process involved a number of experiments with shape, form, and movement on a stretched spandex frame which were than later edited to fit specific, physical locations on the installation. The control and interaction of the video was done through Max\/MSP &amp; Jitter.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"skin tight\" src=\"https:\/\/player.vimeo.com\/video\/12470216?dnt=1&amp;app_id=122963\" width=\"640\" height=\"480\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>The installation has four phases that are activated by cameras placed in strategic locations within the lobby. The installation\u2019s default state, opening, is a calming, playful movement, like someone absentmindedly playing with his or her hair. The next phase, activated by someone entering the lobby, is more focused and stylized, drawing more attention to the space. The third phase, lobby, is activated when the visitor is at the desk area, and temporarily preoccupied with activity away from the installation. Like a child trying to draw its parent\u2019s attention, this phase is cloying and persistent. Finally, the last phase, sustain, is one that becomes initialized after the viewer has spent some time in the lobby. The video undergoes a metamorphosis into a more formalized, geometric state, acting at once mysterious and concrete.<\/p>\n<p>&nbsp;<\/p>\n<p>Early prototype with\u00a0mannequin and original content.<\/p>\n<p><iframe loading=\"lazy\" title=\"Site Specific : Hands in model\" src=\"https:\/\/player.vimeo.com\/video\/7038833?dnt=1&amp;app_id=122963\" width=\"640\" height=\"480\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What happens when you manipulate a traditionally hard surface so that it behaves like fabric? \u00a0Vito Acconci studio\u2019s installation in the Bronx museum, \u201cLOBBY-FOR-THE-TIME-BEING,\u201d is a wrapping, and twisting installation that coerced Corian\u2014a typically hard, flat surface\u2014to behave in ways otherwise expected.\u00a0\u00a0In response to their call for an interactive projection in conjunction with their installation, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"bgseo_title":"","bgseo_description":"","bgseo_robots_index":"","bgseo_robots_follow":"","_mi_skip_tracking":false,"footnotes":""},"categories":[191,164,203,204],"tags":[],"class_list":["post-725","post","type-post","status-publish","format-standard","hentry","category-art-gallery","category-interactive","category-maxmsp","category-video-installation"],"_links":{"self":[{"href":"https:\/\/www.mikelberman.com\/work\/wp-json\/wp\/v2\/posts\/725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mikelberman.com\/work\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mikelberman.com\/work\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mikelberman.com\/work\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mikelberman.com\/work\/wp-json\/wp\/v2\/comments?post=725"}],"version-history":[{"count":1,"href":"https:\/\/www.mikelberman.com\/work\/wp-json\/wp\/v2\/posts\/725\/revisions"}],"predecessor-version":[{"id":1128,"href":"https:\/\/www.mikelberman.com\/work\/wp-json\/wp\/v2\/posts\/725\/revisions\/1128"}],"wp:attachment":[{"href":"https:\/\/www.mikelberman.com\/work\/wp-json\/wp\/v2\/media?parent=725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mikelberman.com\/work\/wp-json\/wp\/v2\/categories?post=725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mikelberman.com\/work\/wp-json\/wp\/v2\/tags?post=725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}